This is not a piece about specific exhibitions, more about the gallery spaces on a certain, very fashionable road – Dover Street!
Dover Street is happening. It’s always been on the right side of trendy but now the art market is really moving in and it’s another enclave of galleries, fashion, clubs and restaurants. Dealers and business owners must be waiting eagerly for leases to become available.
Dover Street. Own photograph.
I first began working on Dover Street at the Air Gallery for Rob Ryan’s The Stars Shine All Day Too at the end of 2010. Unfortunately, due to rising rents, the Air Gallery has been taken over by Wolf & Badger (which will open shortly).
Wolf & Badger. Own photograph.
So, although I know this street well, I wanted to have a stroll to see how it’s developing. Starting at the Piccadilly end, I popped into Alon Zakaim’s new space. Zakaim opened his gallery on Cork Street in 2006 at the address of Peggy Guggenheim’s first London gallery. His second space shows the gallery’s development; a good ten times bigger than Cork Street, Zakaim has transformed what used to be Alexia Goethe into a striking new gallery with dark walls, wooden floors focused lighting and a reflective atmosphere. Although it’s too big to have the intimacy of his first space, the gallery does envelope you in a private, but friendly, atmosphere. It has been designed to show off top quality art and it does just that. Their opening exhibition covers 100 years of art history including a handful of top names to demonstrate their prestige.
Alon Zakaim Fine Art. Image courtesy of Rob Ewen and via www.alonzakaim.com.
Directly opposite is Clarendon Fine Art where I was greeted warmly on arrival and complimented on my shoes. I knew, at that point, that I’d struck a winner here. Their space is also stunning but about as different from Zakaim’s as possible with split levels and bright lights. Clarendon tend to follow a pattern of solo shows to highlight one of their established gallery names, interspersed with two-week mixed exhibitions to show off their less prominent stable of artists. It’s an elegant space with a tempting looking bar installed at the back. They aim to introduce contemporary art to a wide-ranging audience and their artists include the likes of crowd-pleaser Rolf Harris.
A mixed exhibition at Clarendon Fine Art. Own photograph.
Heading up the street I passed the Arts Club, still the hot spot of Mayfair since its refurb and relaunch and the current place to be seen and sip a drink watching the gliteratti and the art world elite.
Next up, occupying the space where Richard Green used to be, is another newcomer – Gazelli Art House, run by a dealer from Azerbaijan. Azerbaijan has been in the arts press recently, since the launch of the 012 Baku Public Art Festival at the end of February where 20 local artists are working on site specific projects across Baku, presenting newly-commissioned, public work. The works will be unveiled every Friday until September, embracing Baku’s heritage through contemporary culture. Most of us cannot even spell Azerbaijan on first attempt, let alone explain where it is so it’s bizarre to see its art suddenly being propelled into the public horizon. Azerbaijan will also be more press conscious as hosts of the Eurovision this year and wish to send out a very positive image of their city.
Baku. Image via www.en.99ys.com.
Since moving to London, director Mila Askarova ran a number of pop-up spaces and has now launched Gazelli’s first permanent London space. The actual gallery space is quite small; most of the building seems to be closed off for private viewing. Gazelli’s inaugural exhibition includes a mix of six international artists one of whom is Shan Hur, a young Korean artist who I spotted at his graduate show in 2010 and picked as one to watch.
Gazelli Art House. Own photograph.
Crossing the road again and walking up past Dover Street Market and Brown’s Hotel, I arrived at Philip Mould – one of the original incumbents of Dover Street and a leading specialist in British art and Old Masters. Mould always has an impressive display and his 18th century works – including a rather lovely Gainsborough and Kauffman – made me swoon.
Philip Mould. Own photograph.
Passing Hay Hill, which offers yet more galleries, I headed up the street. As Dover Street turns into Grafton Street, Spruth Magers crowns the street. Housed on Dover Street since 2003, the gallery represents a handful of internationally-renowned artists and their current Boetti show complements Tate Modern’s retrospective.
Spruth Magers. Own photograph.
Two more prestigious dealers are set to open here and, this October, the 18th century townhouse at number 24 Grafton Street will be taken over by David Zwirner. This will be another gallery with an historically important location; prominent past residents include Lord Robert Cecil, the 3rd Marquis of Salisbury (who was twice Prime Minister) and Helena Rubinstein. Spread over five floors, the gallery will have almost 10,000 square feet of exhibition space.
Grafton Street. Image via www.fadwebsite.com.
Of course, just a stone’s throw from the wonders of Cork Street, Old Bond Street and Savile Row, the development of Dover Street is only natural. There’s a real buzz building and it’s not to be ignored.
It was time to stop for tea at Aubaine, a contemporary French bistro, boulangerie and patisserie, recently opened in the place of Chez Gerard on Dover Street. It’s a bit quiet and lacking atmosphere at the moment but, no doubt, in time it will become more popular as they are serving the most amazing Nutella crème brûlée pots that are guaranteed to tempt even those without a sweet tooth.